In the process Kawanishi put on a dress that she sewed by herself and drew her movement with the whole body on a piece of fabric using soil and glue. As fabrics rub against each other, stretching and shrinking, the painter herself is painted. Challenging the neutrality of the relationship between paintings and painter, she presented a situation in which the perspective of painting and the perspective of being painted work as a unity, they enter into a tension-filled connection.
